Lida leads our customer team and holds guardianship of the Fargo Print brand. An award-minded marketer, she built our national account practice so growing companies can print like established houses. She is responsible for brand strategy and making sure we stay close to the people who live with the work after it ships. Her two big passions are the ocean and music, and she still talks about paper the way some people talk about vinyl.
Harry came up on the floor. He still walks a job from RIP to bindery because that is how missed coatings and crushed scores get caught. He plans digital and offset around real USA shipping calendars, not optimistic slide decks. If a kit has to land in three cities on the same morning, Harry is the one who says whether the press can honestly do it.
Myrtie translates identity systems into print that survives folding machines and fluorescent retail light. She advises on type size, photography crop, and stocks that support ink instead of fighting it. Designers send her files because she will tell the truth about a low-resolution hero image before it becomes a thousand posters.
Daniel runs ink, water, and sheet control on offset and keeps digital queues color-honest. He treats a brand red as a promise. When a reprint has to match last season's carton, he pulls the archived drawdown and makes the press earn it again.
Amara is the person who turns a messy brief into a clean ticket. She collects quantities, destinations, and dates, then stays on the job until cartons are scanned out. Clients who hate chasing printers stay with Fargo Print because Amara answers before the anxiety sets in.
Tell us about the campaign, the stock you love, and the date it has to land.
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